11/20/2023 0 Comments Addams family eddie munsterThe book uses Mad Men (AMC, 2007-2015), Ugly Betty (ABC, 2006-2010), Desperate Housewives (ABC, 2004-2012), and film remakes of 1950s and 60s family sitcoms as primary case studies. The book addresses how and why the shows construct the boomer era as a placeholder for gender, racial, technological, and declensionist discourses of the present. She contests theories on nostalgia that see it as stagnating, regressive, or a reversion to outdated gender and racial politics, and the technophobic longing for a bygone era and, instead, argues nostalgia is an important form of historical memory and vehicle for negotiating periods of historical transition. Those familiar with the show will be surprised to learn it only ran for two seasons, at around the same time another monster-themed program, The Addams Family. The Munsters experienced surprisingly high ratings during the period before the Batman TV series came on, revolutionizing color TV. A Mundane Fantastic Dom Com, originally airing on CBS from 196466, about a working class family of would-be monsters. The Addams Family and The Musters may have been the pinnacle of preposterous television show plots. Alex Bevan argues that the aesthetics of nostalgic TV tell stories of their own about historical decline and progress, and the place of the baby boomer television suburb in American national memory. Left to right: Eddie, Lily, Herman, Marilyn, and Grandpa. Specifically, it looks at how nostalgic TV production design shapes and is shaped by larger historical discourses on gender and technological change, and America's perceived decline as a global power. ![]() The Aesthetics of Nostalgia TV explores the aesthetic politics of nostalgia for 1950s and 60s America on contemporary television.
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